Download Brooks and Dunn

Artist: Brooks and Dunn: mp3 download    Genre(s):  Country Other     Discography:      Cowboy Town    Year: 2007    Tracks: 12      Hillbilly Deluxe    Year: 2005    Tracks: 13      If You See Her    Year: 2002    Tracks: 11      Waitin' On Sundown    Year: 1994    Tracks: 10      Hard Workin' Man    Year: 1993    Tracks: 11      Brand New Man    Year: 1991    Tracks: 10      Tight Rope    Year:     Tracks: 13      The Greatest Hits Collection    Year:     Tracks: 19      Steers and Stripes    Year:     Tracks: 14      Red Dirt Road    Year:     Tracks: 15      Borderline    Year:     Tracks: 11 The undisputed kings of the '90s line-dancing craze, Brooks & Dunn are non but the biggest-selling duet in country euphony history, they've as well sold more than records than any other duo full point, deliver for Simon & Garfunkel. Ronnie Dunn was the quietly vivid singer with the soulful voice, piece Kix Brooks played the office of the high-power showman. Neither had been able to break through as a solo behave, just together they stumble upon a victorious expression of boisterous, rocked-up whitey tonk with punchy, danceable beatniks, and alternated those cuts with liquid, pop-tinged ballads. The combination made them one of the about popular state artists of the '90s, and they were unflurried going warm as the new millennium dawned. Leon Eric "Kix" Brooks (born in Shreveport, LA) and Ronnie Gene Dunn (born in Coleman, TX) arrived in Nashville from very unlike backgrounds. Brooks was a neighbor of Johnny Horton and first gear began singing with the area legend's girl at age 12; afterwards a time working on the Alaskan vegetable oil word of mouth, he moved to Maine and performed in ski resorts and other local venues. He went to Nashville in the early '80s and ground success as a songwriter, writing hits for John Conlee, Highway hundred and one, and the Nitty Gritty Dirt Band, among others; however, his solo recordings -- a few small-label singles in 1983 and a self-titled album in 1989 -- failed to piss whatever impact. Dunn, meantime, had been playacting with traditional chain bands since he was a adolescent, merely originally aspired to suit a Baptist minister. He attended the highly bourgeois Abilene Christian University, but was kicked out for continuing to playact music on the side in area bars. He distinct to pursue music full-time and moved to Tulsa, where he lED a house dance orchestra and recorded for a local label from 1983-1984. In 1988, he won a songwriting competition whose prize included a recording session in Nashville; the producer, Scott Hendricks, was impressed sufficiency to spend some of Dunn's material on to Arista executive director Tim DuBois. DuBois had a suspicion that Dunn and Brooks would complement each other well, and he introduced the deuce and encouraged them to try committal to writing and recording some demo songs in concert. When he heard the results, DuBois signed the freshly minted Brooks & Dunn twosome to a undertake. Brooks & Dunn issued their debut record album, Trade name New Man, in 1991, and it was an out-of-the-box smash. The title running, "My Next Broken Heart," "Neon Moon," and "Charge Scootin' Boogie" all hit number one on the land charts, and the latter song in especial was an ineluctable blast that helped kick start the line-dancing furor that swept country bars across the country. Brand New Man eventually went on to sell o'er five one thousand thousand copies, and made the duet into country superstars; their load-bearing turn constituted their preference for theatrical resilient shows as well. Their follow-up, Hard Workin' Man, coalesced their success with a twine of five-spot Top Five land hits: the title racecourse, the numeral ones "She Used to Be Mine" and "That Ain't No Way to Go," and the number twos "We'll Burn That Bridge" and "Rock My World (Small Country Girl)." Hard Workin' Man sold over quadruplet jillion copies, and by the time its run of singles was exhausted, the span had already completed a review in 1994's Waitin' on Sundown. Five more Top Ten hits followed, including the number ones "She's Not the Cheatin' Kind," "Small Miss Honky Tonk," and "You're Gonna Miss Me When I'm Gone" (the others were "I'll Never Forgive My Heart" and "Whiskey Under the Bridge"). Waitin' on Sundown went twofold platinum, confirming Brooks & Dunn's status as a blockbuster success. Brooks & Dunn's commercial ascendancy continued apace with 1996's Boundary line, some former double-platinum winner which produced deuce more chart-toppers in "My Maria" (a brood of the B.W. Stevenson pop hit from 1972) and "A Man This Lonely," and a number two clash with in "I Am That Man." In 1997, the duet issued The Greatest Hits Compilation, whose new tracks, "Honky Tonk Truth" and "He's Got You," both reached the Top Five. And they weren't done as hitmakers by whatsoever means; despite failing to go atomic number 78, 1998's If You See Her contained two number ones in "Husbands and Wives" (a Roger Miller cover) and "How Long Gone," and some other Top Fiver in "I Can't Get Over You." With such a consistent track path record, Brooks & Dunn were perchance due for the inevitable slip, and 1999's Tight Rope was the nearest thing to a commercial misstep they'd ever recorded. Despite some chance-taking in the production and the cover of rock 'n' roll player John Waite's lay "Absent You," other parts of the album found their rule wearing away away thin. The record produced exclusively one Top Ten hit in "You'll Always Be Loved by Me," and failed to tied go gold. Faced with a downswing in their gross revenue, Brooks & Dunn fatigued more time crafting their succeeding album, 2001's Steers and Stripes. It helped restore their commercial fortunes with a triplet of chart-topping singles: "Ain't Nothing 'Bout You," "Only in America," and "The Long Goodbye." The following year, the duet issued their low gear holiday album, It Won't Be Christmas Without You. The couple pushed the envelope even farther with 2003's Red Dirt Road, a song cycle that served as both a life story and a protection to their roots and fosterage. The tough Hillbilly Deluxe, a Top Ten arrive at, followed in 2005, with 2007 delivery Cowhand Town, released on Arista Records.